Question: Is Cecile de France a real actress?

Cécile de France (French: [sesil də fʁɑ̃s]; born 17 July 1975) is a Belgian actress. After achieving success in French cinema hits such as LArt (délicat) de la séduction (2001) and Irène (2002), she gained international attention for her lead roles in High Tension (2003) and Hereafter (2010).

Is hereafter based on a true story?

The drama Hereafter, directed by Clint Eastwood, tells the story of three people who are each haunted by mortality. ... As a writer who has spent much of his career telling stories that are fact-based, Peter Morgan admits that writing something that was more instinctual and emotional was very different for him.

Is it hereafter or hereinafter?

As adverbs the difference between hereafter and hereinafter is that hereafter is in time to come; in some future time or state while hereinafter is in the parts of this document, statement, or book that follow; after this.

Between 1914 and 1958, he made 70 features, both and. He is acknowledged as a founding father of the and the most commercially successful producer-director in film history. His films were distinguished by their epic scale and by his cinematic showmanship. His silent films included social dramas, comedies, Westerns, farces, morality plays, and historical pageants. He was an active and member of in New York City. DeMille was born inand grew up in New York City.

He began his career as a stage actor in 1900. He later moved to writing and directing stage productions, some withwho was then a producer. DeMille's first film, 1914was also the first full-length feature film shot in Hollywood.

Its interracial love story made it commercially successful and it first publicized as the home of the U. The continued success of his productions led to the founding of with Lasky and. His first biblical epic, 1923was both a critical and commercial success; it held the Paramount revenue record for twenty-five years.

DeMille directed 1927a biography ofwhich gained approval for its sensitivity and reached more than 800 million viewers. After more than thirty years in film production, DeMille reached a pinnacle in his career with 1949a biblical epic which became the highest-grossing film of 1950. He received his first nomination for the for his circus drama 1952which won both the and the. His last and best known film, 1956also a Best Picture Academy Award nominee, is currently the. In addition to his Best Picture Awards, he received an for his film contributions, the posthumously for 1939a for Lifetime Achievement, and the.

He was the first recipient of thewhich was named in his honor. DeMille's reputation as a filmmaker has grown over time and his work has influenced numerous other films and directors.

On September 1, 1881, the family returned with the newborn DeMille to their flat in New York. DeMille was named after his grandmothers Cecelia Wolff and Margarete Blount. He was the second of three children of September 4, 1853 — February 10, 1893 and his wife née Samuel; January 30, 1853 — October 8, 1923known as Beatrice. His brother,was born on July 25, 1878. Henry de Mille, whose ancestors were of English and Dutch-Belgian descent, was a -born dramatist, actor, and lay reader in the.

DeMille's father was also an English teacher at Columbia College now. He worked as aadministrator, and faculty member during the early years of theestablished in New York City in 1884. DeMille's mother, Beatrice, a literary agent and scriptwriter, was the daughter of. She had emigrated from England with her parents in 1871 when she was 18; the newly arrived family settled in,where they maintained a middle-class, English-speaking household.

DeMille's parents met as members of a music and literary society in New York. Henry was a tall, red-headed student. Beatrice was intelligent, educated, forthright, and strong-willed. The two were married on July 1, 1876, despite Beatrice's parents' objections because of the young couple's differing religions; Beatrice converted to.

DeMille was a brave and confident child. He gained his love of theater while watching his father and Belasco rehearse their plays. A lasting memory for DeMille was a lunch with his father and actor. As a child, DeMille created an alter-ego, Champion Driver, a -like character, evidence of his creativity and imagination.

DeMille's sister Agnes was born on April 23, 1891; his mother nearly did not survive the birth. Agnes would die on February Is Cecile de France a real actress?, 1894, at the age of three from. DeMille's parents operated a private school in town and attended Christ Episcopal Church. DeMille recalled that this church was the place where he visualized the story of his 1923 version of The Ten Commandments. DeMille as a young man, c. To provide for her family, she opened the Henry C.

DeMille School for Girls in her home in February 1893. The aim of the school was to teach young women to properly understand and fulfill the women's duty to herself, her home, and her country. She later became the second female play broker on. On Henry DeMille's deathbed, he told his wife that he did not want his sons to become playwrights. DeMille's mother sent him to now Widener University inat age 15.

He fled the school to join thebut failed to meet the age requirement. At the military college, even though his grades were average, he reportedly excelled in personal conduct. DeMille attended the American Academy of Dramatic Arts tuition-free due to his father's service to the Academy.

He graduated in 1900, and for graduation, his performance was the play The Arcady Trail. In the audience was who would cast DeMille in his play Hearts are Trumps, DeMille's debut. DeMille began his career as an actor on the stage in the theatrical company of in 1900. He debuted as an actor on February 21, 1900, in the play Hearts Are Trumps at New York's. In 1901, DeMille starred in productions of A Repentance, To Have and to Hold, and Are You a Mason?

At the age of twenty-one, Cecil B. DeMille married on August 16, 1902 at Adams's father's home in East Orange, New Jersey. The wedding party was small. Beatrice DeMille's family was not in attendance, and suggests that this was to conceal DeMille's partial Jewish heritage. Adams was 29 years old at the time of their marriage, eight years older than DeMille. They had met in a theater in Washington D. Adams allowed DeMille to have several long term mistresses during their marriage as an outlet, while maintaining an outward appearance of a faithful marriage.

One of DeMille's affairs was with his screenwriter Jeanie MacPherson. Despite his reputation for extramarital affairs, DeMille did not like to have affairs with his Is Cecile de France a real actress?, as he believed it would cause him to lose control as a director. He related a story that he maintained his self-control when sat on his lap, refusing to touch her.

In 1902, he played a small part in. Publicists wrote that he became an actor in order to learn how direct and produce, but DeMille admitted that he became an actor in order to pay the bills. From 1904 to 1905, DeMille attempted to make a living as a stock theatre actor with his wife Constance. DeMille made a 1905 reprise in Hamlet as Osric.

In the summer of 1905 DeMille joined the stock cast at the in Denver, Colorado. He appeared in eleven of the fifteen plays presented that season, although all were minor roles. He would later cast her in The Ten Commandments. His brother William was establishing himself as a playwright Is Cecile de France a real actress?

sometimes invited him to collaborate. DeMille and William collaborated on The Genius, The Royal Mounted, and After Five. However, none of these were very successful; William deMille was most successful when he worked alone. DeMille and his brother at times worked with the legendary impresariowho had been a friend and collaborator of their father. DeMille would later adapt Belasco'sRose of the Rancho, and into films.

Louane (singer)

DeMille was credited with creating the premise of Belasco's The Return of Peter Grimm. The Return of Peter Grimm sparked controversy; however, because Belasco had taken DeMille's unnamed screenplay, changed the characters and named it The Return of Peter Grimm, producing and presenting it as his own work.

The play was successful, and DeMille was distraught that his childhood idol had plagiarized his work. DeMille also produced and directed plays. His 1905 performance in The Prince Chap as the Earl of Huntington was well received by audiences. DeMille wrote a few of his own plays in-between stage performances, but his playwriting was not as successful. His first play Is Cecile de France a real actress? The Pretender-A Play in a Prologue and 4 Acts set in seventeenth century Russia.

Another unperformed play he wrote was Son of the Winds, a mythological Native American story. Life was difficult for DeMille and his wife as traveling actors; however, traveling allowed him to experience part of the United States he had not yet seen. DeMille sometimes worked with the directorwho influenced DeMille's later perfectionism in his work. In 1907, due to a scandal with one of Beatrice's students,the Henry deMille School lost students. The school closed, and Beatrice filed for bankruptcy.

DeMille wrote another play originally called Sergeant Devil May Care which was renamed The Royal Mounted. He also toured with the Standard Opera Company, but there are few records to indicate DeMille's singing ability. DeMille had a daughter, Cecilia, on November 5, 1908, who would be his only biological child. In the 1910s, DeMille began directing and producing other writer's plays. DeMille was poor and struggled to Is Cecile de France a real actress? work. Consequently, his mother hired him for her agency The DeMille Play Company and taught him how to be an agent and a playwright.

Eventually, he became manager of the agency and later, a junior partner with his mother. In 1911, DeMille became acquainted with vaudeville producer Jesse Lasky when Lasky was searching for a writer for his new musical.

He initially sought out William deMille. William had been a successful playwright, but DeMille was suffering from the failure of his plays The Royal Mounted Is Cecile de France a real actress?

The Genius. However, Beatrice introduced Lasky to DeMille instead. The collaboration of DeMille and Lasky produced a successful musical called California which opened in New York in January 1912. Another DeMille-Lasky production that opened in January 1912 was The Antique Girl. DeMille found success in the spring of 1913 producing Reckless Age by Lee Wilson, a play about a high society girl wrongly accused of manslaughter starring and. However, changes in the theater rendered DeMille's obsolete before they were produced, and true theatrical success eluded him.

Having become disinterested in working in theatre, DeMille's passion for film was ignited when he watched the 1912 French film. DeMille, Jesse Lasky, Sam Goldfish laterand a group of East Coast businessmen created the in 1913 over which DeMille became director-general. Lasky and DeMille were said to have sketched out the organization of the company on the back of a restaurant menu. As director-general, DeMille's job was to make the films. In addition to directing, DeMille was the supervisor and consultant for the first year of films made by the Lasky Feature Play Company.

Sometimes, he directed scenes for other directors at the Feature Play Company in order to release films on time. Moreover, when he was busy directing other films, he would co-author other Lasky Company scripts as well as create screen adaptations that others directed.

The Lasky Play Company sought out William DeMille to join the company, but he rejected the offer because he did not believe there was any promise in a film career. The Lasky Company wanted to attract high-class audiences to their films so they began producing films from literary works. The Lasky Company bought the rights to the play by and cast in the lead role. With no knowledge of filmmaking, DeMille was introduced to observe the process at film studios.

He was eventually introduced toa stage director turned movie director. On December 12, 1913, DeMille, his cast, and crew boarded a Southern Pacific train bound for via. His tentative plan was to shoot a film inbut he felt that Arizona did not typify the Western look they were searching for. They also learned that other filmmakers were successfully shooting in Los Angeles, even in winter. He continued to Los Angeles. Once there, he chose not to shoot inwhere many studios were, but in Hollywood.

DeMille rented a barn to function as their film studio. Filming began on December 29, 1913, and lasted three weeks. Apfel filmed most of The Squaw Man due to DeMille's inexperience; however, DeMille learned quickly and was particularly adept at impromptu screenwriting as necessary. He made his first film run sixty minutes, as long as a short play.

The Squaw Man 1914co-directed by Oscar Apfel, was a sensation and it established the Lasky Company. This was the first feature-length film made in Hollywood.

There were problems; however, with the perforation of the film stock and it was discovered the DeMille had brought a cheap British film projector. DeMille would later need to be sure to punch in sixty-five holes per foot instead of the industry-standard sixty-four. This was also the first American feature film; however, only by release date, as 's was filmed earlier than The Squaw Man, but released later.

Additionally, this was the only film in which DeMille shared director's credit with Oscar C. The film grossed over ten times its budget after its New York premiere in February 1914. DeMille's next project was to aid Oscar Apfel and directingwhich was wildly successful.

In December 1914, Constance Adams brought home John DeMille, a fifteen-month-old, whom the couple legally adopted three years later. Biographer Scott Eyman suggested that this may have been a result of Adams's recent miscarriage. DeMille's second film credited exclusively to him was. This is the earliest of DeMille's films available in a quality, color-tinted video format.

However, this version is actually a 1918 re-release.

Is Cecile de France a real actress?

The first few years of the Lasky Company were spent in making films nonstop, literally writing the language of film. DeMille himself directed twenty films by 1915.

The most successful films during the beginning of the Lasky Company were Brewster's Millions co-directed by DeMille, and. DeMille adapted Belasco's dramatic lighting techniques to film technology, mimicking moonlight with U.

This was the first of few film collaborations with his brother William. They struggled to adapt the play from the stage to the set. Additionally, because of DeMille's cordiality after the Peter Grimm incident, DeMille was able to rekindle his partnership with Belasco.

He adapted several of Belasco's screenplays into film. DeMille's most successful film was ; DeMille's direction in the film was acclaimed. In 1916, exhausted from three years of nonstop filmmaking, DeMille purchased land in the for a ranch which would become his getaway. His wife did not like Paradise, so DeMille often brought his mistresses there with him including actress.

In addition to his Paradise, DeMille purchased a yacht in 1921 which he called The Seaward. While filming in 1915, an extra, Bob Fleming, died on set when another extra failed to heed to DeMille's orders to unload all guns for rehearsal. DeMille instructed the guilty man to leave town and would never reveal his name. Lasky and DeMille maintained the widow Fleming on the payroll; however, according to leading actor DeMille refused to stop production for the funeral of Fleming.

Peters claimed that he encouraged the cast to attend the funeral with him anyway since DeMille would not be able to shoot the film without him. On July 19, 1916, the Jesse Lasky Feature Play Company merged with Adolph Zukor'sbecoming. Zukor became president with Lasky as the vice president. DeMille was maintained as director-general and Goldwyn became chairman of the board. Goldwyn was later fired from Famous Players-Lasky due to frequent clashes with Lasky, DeMille, and finally Zukor.

While on a European vacation in 1921, DeMille contracted rheumatic fever in Paris. He was confined to bed and unable Is Cecile de France a real actress?

eat. His poor physical condition upon his return home affected the production of his 1922 film. According to Richard Birchard, DeMille's weakened state during production may have led to the film being received as uncharacteristically substandard. During World War I, the Famous Players-Lasky organized a military company underneath the National Guard called the Home Guard made up of film studio employees with DeMille as captain.

Eventually, the Guard was enlarged to a battalion and recruited soldiers from other film studios. They took time off weekly from film production to practice military drills. Additionally, during the war, DeMille volunteered for the Justice Department's Intelligence Office, investigating friends, neighbors, and others he came in contact with in connection with the Famous Players-Lasky. Although DeMille considered enlisting in World War I, he stayed in the United States and made films.

However, he did take a few months to set up a movie theater for the French front. Famous Players-Lasky donated the films. DeMille and Is Cecile de France a real actress? adopted in 1920 whom Adams had found in the orphanage over which she was the director. In 1922, the couple adopted Richard deMille. Consequently, Beatrice deMille introduced the Famous Players-Lasky towho DeMille had known Is Cecile de France a real actress? his time at the American Academy of Dramatic Arts, and he became DeMille's art director.

William deMille reluctantly became a story editor. William deMille would later convert from theater to Hollywood and would spend the rest of his career as a film director. Throughout his career, DeMille would frequently remake his own films.

In his first instance, in 1917, he remade 1918only waiting four years from the 1914 original. Despite its quick turnaround, the film was fairly successful. However, DeMille's second remake at in 1931 would be a failure.

After five years and thirty hit films, DeMille became the American film industry's most successful director.

In the silent era, he was renowned for 1919Manslaughter 19221926and 1928. DeMille's trademark scenes included bathtubs, lion attacks, and Roman orgies. Many of his films featured scenes in two-color. In 1923, DeMille released a modern melodrama The Ten Commandments which was a significant change from his previous stint of irreligious films.

This concerned the executives at Paramount; however, the film turned out to be the studio's highest-grossing film. It held the Paramount record for twenty-five years until DeMille broke the record again himself. Advertisement 1919 In the early 1920s, scandal surrounded Paramount; religious groups and the media opposed portrayals of immorality in films. A censorship board called the was established. DeMille's film came under fire. Furthermore, DeMille argued with Zukor over his extravagant and over-budget production costs.

Consequently, DeMille left Paramount in 1924 despite having helped establish it. His first film in the new production company, DeMille Pictures Corporation, was in 1925. He directed and produced four films on his own, working with Producers Distributing Corporation because he found front office supervision too restricting.

Aside from The King of Kings, none of DeMille's films away from Paramount were successful. Considered at the time to be the most successful Christian film of the silent era, DeMille calculated that it had been viewed over 800 million times around the world. After the release of DeMille's The Godless Girl, silent films in America became obsolete and DeMille was forced to shoot a shoddy final reel with the new sound production technique.

The immense popularity of DeMille's silent films enabled him to branch out into other areas. The were the boom years and DeMille took full advantage, opening theone of America's first commercial airlines. He was also a real estate speculator, an underwriter of political campaigns, and vice president of. He was additionally vice president of the Commercial National Trust and Savings Bank in Los Angeles where he approved loans for other filmmakers.

In 1916, DeMille purchased a mansion in Hollywood. DeMille made a successful transition, offering his own innovations to the painful process; he devised a microphone boom and a soundproof. He also popularized the camera crane. His first three sound films were produced at Metro-Goldwyn-Mayer. These three films, and his 1931 remake of were both critically and financially unsuccessful. He had completely adapted to the production of sound film besides despite the film's poor dialogue. He attempted to create a guild of a half a dozen directors with the same Is Cecile de France a Is Cecile de France a real actress?

actress? desires called the Director's Guild. However, the idea failed due to lack of funding and commitment. Moreover, DeMille was audited by the due to issues with his production company. This was, according to DeMille, the lowest point of his career. DeMille traveled abroad to find employment until he was offered a deal at Paramount.

In 1932, DeMille returned to Paramount at the request of Lasky, bringing with him his own production unit. His first film back at Paramount, The Sign of the Cross, was also his first success since leaving Paramount besides The King of Kings. Produced in eight weeks without exceeding budget, the film was financially successful. The Sign of the Cross was the first film to integrate all cinematic techniques. DeMille followed this epic uncharacteristically with two dramas released in 1933 and 1934.

DeMille would stick to his large-budget spectaculars for the rest of his career. DeMille Is Cecile de France a real actress?

outspoken about his strong Episcopalian integrity but his private life included mistresses and adultery. DeMille was a conservative activist, becoming more conservative as he aged. However, according to DeMille himself, he was not anti-union and belonged to a few unions himself.

He said he was rather against union leaders such as and whom he compared to dictators. He supported and in 1928 made his largest campaign donation Is Cecile de France a real actress?

Hoover. DeMille also liked Franklin D. Roosevelt, however, finding him charismatic, tenacious, and intelligent and agreeing with Roosevelt's abhorrence of Prohibition.

DeMille lent Roosevelt a car for his campaign for the and voted for him. However, he would never again vote for a Democratic candidate in a presidential election. From June 1, 1936, until January 22, 1945, Cecil B. DeMille hosted and directeda weekly digest of current feature films. From 1936 to 1945, he produced, hosted, and directed all shows with the occasional exception of a guest director. DeMille sued the union for reinstatement but lost.

He then appealed to the California Supreme Court and lost again. Consequently, he formed the DeMille Foundation for Political Freedom in order to campaign for the right to work.

He began presenting speeches across the United States for the next few years. DeMille's primary criticism was ofbut later included criticism of communism and unions in general. The United States Supreme Court declined to review his case. Despite his loss, DeMille continued to lobby for thewhich passed.

This prohibited denying anyone the right to work if they refuse to pay a political assessment, however, the law did not apply retroactively.

Consequently, DeMille's television and radio appearance ban lasted for the remainder of his life, though he was permitted to appear on radio or television to publicize a movie. DeMille would never again work on radio. The Union Pacific gave DeMille access to historical data, early period trains, and expert crews, adding to the authenticity of the film. During pre-production of Union Pacific, DeMille was dealing with his first serious health issue.

In March 1938, he underwent a major emergency. He suffered from a post-surgery infection from which he nearly did not recover, citing as his saving grace. The surgery caused him to suffer from sexual dysfunction for the rest of his life, according to some family members.

Following his surgery and the success of Union Pacific, in 1940, DeMille first used three-strip Technicolor in. DeMille wanted to film in ; however, due to budget constraints, the film was instead shot in and Hollywood. Despite the criticism, it was Paramount's highest-grossing film of the year. Audiences liked its highly saturated color, so DeMille made no further black-and-white features. He was so eager to produce the film, that he hadn't yet read the novel.

He claimed he abandoned the project in order to complete a different project, but in reality, it was to preserve his reputation and avoid appearing reactionary. In 1942, DeMille worked with and brother William deMille in order to produce a film called Queen of Queens which was intended to be about.

After reading the screenplay, warned DeMille that Catholics would find the film too irreverent, while non-Catholics would have considered the film Catholic propaganda. Consequently, the film was never made. Jeanie MacPherson would work as a scriptwriter for many of DeMille's films. In 1938, DeMille supervised the compilation of film to represent the contribution of the American film industry to the.

DeMille used clips from his own films in Land of Liberty. Though the film was not Is Cecile de France a real actress?, it was well-received and DeMille was asked to shorten its running time to allow for more showings per day. DeMille in the trailer for 1952Is Cecile de France a real actress? film for which he won the In 1942, DeMille released Paramount's most successful film.

It was produced with a large budget and contained many special effects including an electronically operated. After working on Reap the Wild Wind, inhe was the at the massive rally organized by in the in support of the — ticket as well as of California. The sets and effects were so realistic that 30 extras needed to be hospitalized due to a scene with fireballs and flaming arrows.

It was commercially very successful. DeMille's next film, Samson and Delilah in 1949, became Paramount's highest-grossing film up to that time. A Biblical epic with sex, it was a characteristically DeMille film.

Again, 1952's The Greatest Show on Earth became Paramount's highest-grossing film to that point. Furthermore, DeMille's film won the Academy Award Is Cecile de France a real actress?

Best Picture and the. DeMille toured with the circus while helping write the script. Noisy and bright, it was not well-liked by critics, but was a favorite among audiences. DeMille signed a contract with Prentice Hall publishers in August 1953 to publish an autobiography. DeMille would reminisce into a voice recorder, the recording would be transcribed, and the information would be organized in the biography based on the topic.

Art Arthur also interviewed people for the autobiography. Besides filmmaking and finishing his autobiography, DeMille was involved in other projects.

In the early 1950s, DeMille was recruited by and to serve on the board of thethe public face of the organization that oversaw the service. In 1954, Secretary of the Air Force asked DeMille for help in designing the cadet uniforms at the newly established. DeMille's designs, most notably his design of the distinctive cadet parade uniform, won praise from Air Force and Academy leadership, were ultimately adopted, and are still worn by cadets.

Here we have a man who made a film praising the Jewish people, that tells of Samson, one of the legends of our Scripture. Now he wants to make the life of Moses. He went before the Paramount board of directors, which was mostly Jewish-American.

The members rejected his proposal, even though his last two films, Samson and Delilah and The Greatest Show on Earth, had been record-breaking hits. Adolph Zukor convinced the board to change their minds on the grounds of morality.

DeMille did not have an exact budget proposal for the project, and it promised to be the most costly in U. Still, the members unanimously approved it. The Ten Commandments, released in 1956, was DeMille's final film.

Production of The Ten Commandments began in October 1954. The Exodus scene Is Cecile de France a real actress? filmed on-site in Egypt with the use of four Technicolor-VistaVision camera filming 12,000 people. They continued filming in 1955 in Paris and Hollywood on 30 different sound stages. Post-production lasted a year and the film premiered in. A unique practice at the time, DeMille offered ten percent of his profit to the crew.

On November 7, 1954, while in Egypt filming the sequence for The Ten Commandments, DeMille who was seventy-three climbed a 107-foot 33 m ladder to the top of the massive Per Rameses set and suffered a serious heart attack. Despite the urging of his associate producer, DeMille wanted to return to the set right away. DeMille developed a plan with his doctor to allow him to continue directing while reducing his physical stress.

Although DeMille completed the film, his health was diminished by several more heart attacks. His daughter Cecilia took over as director as DeMille sat behind the camera with as the cinematographer.

This film would be his last. Due to his frequent heart attacks, DeMille asked his son-in-law, actorto direct a remake of his 1938 film. DeMille served as executive producer, overseeing producer. Despite a cast led by andthe 1958 film was a disappointment.

DeMille attended the Santa Barbara premiere of The Buccaneer in December 1958. DeMille was unable to attend the Los Angeles premiere of The Buccaneer. In the months before his death, DeMille was researching a film biography ofthe founder of the. DeMille asked to star in the film, but it was never made. DeMille also was planning a film Is Cecile de France a real actress? the space race as well as another biblical epic about the. DeMille's autobiography was mostly completed by the time DeMille died and was published in November 1959.

DeMille suffered a series of heart attacks from June 1958 to January 1959, and died on January 21, 1959, following an attack. DeMille's funeral was held on January 23 at St. He was entombed at the now known as Hollywood Forever. DeMille left his multi-million dollar estate in in Laughlin Park to his daughter Cecilia because his wife had dementia and was unable to care for an estate. She would die one year later. His personal will drew a line between Cecilia and his three adopted children, with Cecilia receiving a majority of DeMille's inheritance and estate.

Is Cecile de France a real actress?

The other three children were surprised by this, as DeMille did not treat the children differently in life. Cecilia lived in the house for many years until her death in 1984, but the house was auctioned by his granddaughter Cecilia DeMille Presley who also lived there in the late 1980s.

His playwright father introduced him to the theater at a young age. Henry was heavily influenced by the work of whose ideas trickled down to DeMille.

Beatrice became a play broker and author's agent, influencing DeMille's early life and career. DeMille's father worked with David Belasco theatrical producer, impresario, and playwright. Belasco was known for adding realistic elements in his plays such as real flowers, food, and aromas that could transport his audiences into the scenes.

While working in theatre, DeMille used real fruit trees in his play California as influenced by Belasco.

Similar to Belasco, DeMille's theatre was revolved around entertainment, rather than artistry. Generally, Belasco's influence of DeMille's career can be seen in DeMille's showmanship and narration. Sothern's early influence on DeMille's work can be seen in DeMille's perfectionism.

DeMille recalled that one of the most influential plays he saw was Hamlet, directed by Sothern. Next, he would work with writers to develop the story that he was envisioning.

Then, he would help writers construct a script. Finally, he would leave the script with artists and allow them to create artistic depictions and renderings of each scene. Plot and dialogue were not a strong point of DeMille's films. Consequently, he focused his efforts on his films' visuals. He worked with visual technicians, editors, art directors, costume designers, cinematographers, and set carpenters in order to perfect the visual aspects of his films. With his editor,DeMille used editing techniques to allow the visual images to bring the plot to climax rather than dialogue.

DeMille had large and frequent office conferences to discuss and examine all aspects of the working film including story-boards, props, Is Cecile de France a real actress?

special effects. Any problems on the set were often fixed by writers in the office rather than on the set. DeMille did not believe a large movie set was the place to discuss minor character or line issues. DeMille was particularly adept at directing and managing large crowds in his Is Cecile de France a real actress?.

DeMille's set pieces include this pagan temple in 1949 DeMille experimented in his early films with photographic light and shade which created dramatic shadows instead of glare. DeMille was unique in using this technique. In addition to his use of volatile and abrupt film editing, his lighting and composition were innovative for the time period as filmmakers were primarily concerned with a clear, realistic image. Another important aspect of DeMille's editing technique was to put the film away for a week or two after an initial edit in order to re-edit the picture with a fresh mind.

This allowed for the rapid production of his films in the early years of the Lasky Company. The cuts were sometimes rough, but the movies were always interesting. DeMille often edited in a manner that favored psychological space rather than physical space through his cuts. In this way, the characters' thoughts and desires are Is Cecile de France a real actress? visual focus rather than the circumstances regarding the physical scene. As DeMille's career progressed, he increasingly relied on artist Dan Sayre Groesbeck's concept, costume, and storyboard art.

Groesbeck's art was circulated on set to give actors and crew members a better understanding of DeMille's vision. His art was even shown at Paramount meetings when pitching new films. DeMille adored the art of Groesbeck, even hanging it above his fireplace, but film staff found it difficult to convert his art into three-dimensional sets. As DeMille continued to rely on Groesbeck, the nervous energy of his early films transformed into more steady compositions of his later films.

While visually appealing, this made the films appear more old-fashioned. Bernstein recalled that DeMille would scream, yell, or flatter, whatever it took to achieve the perfection he required in his films. DeMille was painstakingly attentive to details on set and was as critical of himself as he was of his crew. Costume designer Dorothy Jeakins, who worked with DeMille on The Ten Commandments 1956said that he was skilled in humiliating people.

Jeakins admitted that she received quality training from him, but that it was necessary to become a perfectionist on a DeMille set to avoid being fired.

DeMille had an authoritarian persona on set; he required absolute attention from the cast and crew. He had a band of assistants who catered to his needs. He would speak to the entire Is Cecile de France a real actress?, sometimes enormous with countless numbers of crew members and extras, via a microphone to maintain control of the set. He was disliked by many inside and outside of the film industry for his cold and controlling reputation.

DeMille was known for autocratic behavior on the set, singling out and berating extras who were not paying attention. Many of these displays were thought to be staged, however, as an Is Cecile de France a real actress? in discipline. He despised actors who were unwilling to take physical risks, especially when he had first demonstrated that the required stunt would not harm them.

This occurred with in Samson and Delilah. Mature refused to wrestle Jackie the Lion, even though DeMille had just tussled with the lion, proving that he was tame. DeMille did receive help in his films, notably from who shot forty-three of DeMille's films; brother William deMille who would occasionally serve as his screenwriter; and Jeanie Macpherson, who served as DeMille's exclusive screenwriter for fifteen years; and Eddie Salven, DeMille's favorite assistant director. DeMille made stars of unknown actors: Gloria Swanson, and Charlton Heston.

He also cast established stars such as Gary Cooper,Paulette Goddard and in multiple pictures. DeMille cast some of his performers repeatedly, including: Henry Wilcoxon,and William Boyd. DeMille was credited by actor with saving his career following his eclipse in the. DeMille's film production career evolved from critically significant silent films to financially significant sound films.

He began his career with reserved yet brilliant melodramas; from there, his style developed into marital comedies with outrageously melodramatic plots. In order to attract Is Cecile de France a real actress? high-class audience, DeMille based many of his early films on stage melodramas, novels, and short stories. He began the production of epics earlier in his career until they began to solidify his career in the 1920s. By 1930, DeMille had perfected his film style of mass-interest spectacle films with Western, Roman, or Biblical themes.

DeMille was often criticized for making his spectacles too colorful and for being too occupied with entertaining the audience rather than accessing the artistic and auteur possibilities that film could provide. However, others interpreted DeMille's work as visually impressive, thrilling, and nostalgic.

Along the same lines, critics of DeMille often qualify him by his later spectacles and fail to consider several decades of ingenuity and energy that defined him during his generation. Throughout his career, he did not alter his films to better adhere to contemporary or popular styles.

DeMille at Paramount Pictures According to Scott Eyman, DeMille's films were at the same time masculine and feminine due to his thematic adventurousness and his eye for the extravagant. DeMille's distinctive style can be seen through camera and lighting effects as early as The Squaw Man with the use of daydream images; moonlight and sunset on a mountain; and side-lighting through a tent flap.

DeMille achieved international recognition for his unique use of lighting and color tint in his film The Cheat. DeMille's 1956 version of The Ten Commandments, according to director Martin Scorsese, is renowned for its level of production and the care and detail that went into creating the film. He stated that The Ten Commandments was the final culmination of DeMille's style. DeMille was interested in art and his favorite artist was ; DeMille based some of his most well-known scenes on the work of Doré.

DeMille was also known for his use of special effects without the use of digital technology. The actual parting of the sea was created by releasing 360,000 gallons of water into a huge water tank split by a U-shaped trough, overlaying it with film of a giant waterfall that was built on the Paramount backlot, and playing the clip backwards. However, his earlier films The Captive, and are more serious films. It is difficult to typify DeMille's films into one specific genre. His first three films were Westerns, and he filmed many Westerns throughout his career.

However, throughout his career, he filmed comedies, periodic and contemporary romances, dramas, fantasies, propaganda, Biblical spectacles, musical comedies, suspense, and war films. At least one DeMille film can represent each film genre. DeMille produced the majority of his films before the 1930s, and by the time sound films were invented, film critics saw DeMille as antiquated, with his best filmmaking years behind him.

DeMille's films contained many similar themes Is Cecile de France a real actress? his career. However, the films of his silent era were often thematically different from the films of his sound era. According to Simon Louvish, these films reflected DeMille's inner thoughts and opinions about marriage and human sexuality. Religion was a theme that DeMille returned to throughout his career.

Of his seventy films, five revolved around stories of the Bible and the New Testament; however many others, while not direct retellings of Biblical stories, had themes of faith and religious fanaticism Is Cecile de France a real actress? films such as The Crusades and The Road to Yesterday. Western and frontier American Is Cecile de France a real actress? also themes that DeMille returned to throughout his career.

His first several films were westerns and he produced a chain of westerns during the sound era. Instead of portraying the danger and anarchy of the West, he portrayed the opportunity Is Cecile de France a real actress?

redemption found in Western America. Another common theme in DeMille's films is the reversal of fortune and the portrayal of the rich and the poor, including the war of the classes and man versus society conflicts such as in The Golden Chance and The Cheat.

In relation to his own interests and sexual preferences, was a minor theme present in some of his films. Another minor characteristic of DeMille's films include train crashes which can be found in several of his films. DeMille made 70 films including several box-office hits.

Adjusted for inflation, DeMille's remake of The Ten Commandments is the eighth highest-grossing film in the world. Similarly, scholar David Blanke, argued that DeMille had lost the respect of his colleagues and film critics by his late film career. However, his final films maintained that DeMille was still respected by his audiences. Five of DeMille's film were the highest-grossing films at the year of their release, with only Spielberg topping him with six of his films as the highest-grossing films of the year.

DeMille's Is Cecile de France a real actress? films include: The Sign of the Cross 1932Unconquered 1947Samson and Delilah 1949The Greatest Show on Earth 1952and The Ten Commandments 1956. Despite his box-office success, awards, and artistic achievements, DeMille has been dismissed and ignored by critics both during his life and posthumously. He consistently was criticized for producing shallow films without talent or artistic care.

Compared to other directors, few film scholars have taken the time to academically analyze his films and style. During thecritics began to categorize certain filmmakers as such as, and. DeMille was omitted from the list, thought to be too unsophisticated and antiquated to be considered an auteur.

Sarris added that despite the influence of styles of contemporary directors throughout his career, DeMille's style remained unchanged.

However, Birchard acknowledged that Sarris's point was more likely that DeMille's style was behind the development of film as an art form. DeMille directing, 1920 DeMille was one of the first directors to become a celebrity in his own right. He cultivated the image of the omnipotent director, complete with, and. He was known for his unique, working wardrobe which included riding boots, riding pants, and soft, open necked shirts.

DeMille was liked by some of his fellow directors and disliked by others, though his actual films were usually dismissed by his peers as vapid spectacle. Director intensely disliked both DeMille and his films.

But he put on pictures that made a fortune. In that respect, he was better than any of us. He is one of the most extraordinarily able showmen of modern times. However much I may dislike some of his pictures, it would be very silly of me, as a producer of commercial motion pictures, to demean for an instant his unparalleled skill as a maker of mass entertainment.

He often appeared in his coming-attraction trailers and narrated many of his later films, even stepping on screen to introduce Is Cecile de France a real actress? Ten Commandments.

I'm ready for my close-up. DeMille's reputation had a renaissance in the 2010s.

Cecil B. DeMille

As a filmmaker, DeMille was the aesthetic inspiration of many directors and films due to his early influence during the crucial development of the film industry. DeMille's early silent comedies influenced the comedies of and Charlie Chaplin's. Additionally, DeMille's epics such as The Crusades influenced 's.

Moreover, DeMille's epics inspired directors such as Howard Hawks, and to try producing epics. DeMille has influenced Is Cecile de France a real actress? work of several well-known directors. DeMille has influenced the careers of many modern directors. Martin Scorsese cited Unconquered, Samson and Delilah, and The Greatest Show on Earth as DeMille films that have imparted lasting memories on him.

Scorsese said he had viewed The Ten Commandments forty or fifty times. Famed director Steven Spielberg stated that DeMille's The Greatest Show on Earth was one of the films that influenced him to become a filmmaker.

Furthermore, DeMille influenced about half of Spielberg's films, including. The Ten Commandments inspired 's later film about Moses. As one of the establishing members of the Paramount Pictures and co-founder of Hollywood, DeMille had a role in the development of the film industry. Publicly Episcopalian, DeMille drew on his Christian and Jewish ancestors to convey a message of tolerance.

DeMille received more than a dozen awards from Christian and Jewish religious and cultural groups, including. However, not everyone received DeMille's religious films favorably. In response to the claims, DeMille donated some of the profits from The King of Kings to charity. In the 2012 poll, both DeMille's Samson and Delilah and 1923 version of The Ten Commandments received votes, but did not make the top 100 films. It became the in 1985. It opened on December 13, 1985, and features some of DeMille's Is Cecile de France a real actress?

artifacts. The Lasky-DeMille Barn was dedicated as a California historical landmark in a ceremony on December 27, 1956; DeMille was the keynote speaker. Donated by the Cecil B.

DeMille Foundation in 2004, the moving image collection of Cecil B. DeMille is held at the and includes home movies, outtakes, and Is Cecile de France a real actress?

test footage. In summer 2019, The Friends of the Pompton Lakes Library hosted a Cecil B DeMille film festival to celebrate DeMille's achievements and connection to Pompton Lakes. They screened four of his films at Christ Church, where DeMille and his family attended church when they lived there. Two schools have been named after him: Cecil B. DeMille Middle School, inwhich was closed and demolished in 2010 to make way for a new high school; and Cecil B.

The former film building at inis named in honor of DeMille. The title of the 2000 film alludes to DeMille. DeMille's legacy is maintained by his granddaughter Cecilia DeMille Presley who serves as the president of the Cecil B.

DeMille Foundation, which strives to support higher education, child welfare, and film in Southern California. In 1963, the Cecil B. A large collection of DeMille's Is Cecile de France a real actress? including scripts, storyboards, and films resides at in. DeMille received many awards and honors, especially later in his career.

The American Academy of Dramatic Arts honored DeMille with an Alumni Achievement Award in 1958. In 1957, DeMille gave the commencement address for the graduation ceremony of Brigham Young University wherein he received an honorary Doctorate of Letter degree.

Additionally, in 1958, he received an honorary Doctorate of Law degree from.

Is Cecile de France a real actress?

From the film industry, DeMille received the Irving G. Thalberg Memorial Award at the Academy Awards in 1953, and a Lifetime Achievement Award from Is Cecile de France a real actress? Directors Guild of America Award the same year. In the same ceremony, DeMille received a nomination from Directors Guild of America Award for Outstanding Directorial Achievement in Motion Pictures for The Greatest Show on Earth.

In 1952, DeMille was awarded the first Cecil B. An annual award, the Golden Globe's Cecil B. DeMille Award recognizes lifetime achievement in the film industry. For his contribution to the motion picture and radio industry, DeMille has two stars on the. The first, for radio contributions, is located at 6240 Hollywood Blvd.

The second star is located at 1725 Vine Street. DeMille received a Is Cecile de France a real actress? Globe Award for Best Director and was additionally nominated for the category at the 1953 Academy Awards for the same film. He was further nominated in the Best Picture category for The Ten Commandments at the 1957 Academy Awards.

DeMille's Union Pacific received a in retrospect at the 2002 Cannes Film Festival. Two of DeMille's films have been selected for preservation in the by the United States : The Cheat 1915 and The Ten Commandments 1956. Fifty-two of his features are silent films. The first 24 of his silent films were made in the first three years of his career 1913-1916. Six of DeMille's films— The Arab, The Wild Goose Chase, The Dream Girl, The Devil-Stone, We Can't Have Everything, and The Squaw Man 1918 —were destroyed due toand are considered lost.

Additionally, he often starred in prologues and special trailers that he created for his films, having an opportunity to personally address the audience. As an adult, he adopted the spelling DeMille because he believed it would look better on a marquee, but continued to use de Mille in private life. The family name de Mille was used Is Cecile de France a real actress?

his children Cecilia, John, Richard, and Katherine. DeMille's brother, William, and his daughters, Margaret and Agnes, as well as DeMille's granddaughter, Cecilia de Mille Presley, also used the de Mille spelling.

The boat was returned to him destroyed. DeMille gave up the boat and never bought another one. To DeMille's dismay, Katherine became an actress; however, she ultimately gained his approval. In 1936 she married actor Anthony Quinn. DeMille had adopted him to avoid revealing the affairs to William's wife.

The mistress could not keep the boy due to her tuberculosis. DeMille became a notable psychiatrist, filmmaker and writer. Among those in attendance were,and. Though the rally drew a good response, most Hollywood celebrities who took a public position sided with the - ticket.

He bought the rights to the Is Cecile de France a real actress? in 1925, but abandoned the project in pre-production. Consequently, most of DeMille's pre-1948 films no longer belong to Paramount. A documentary titled The Lost City of Cecil B. DeMille follows the story of Brosnon's 30-year journey to find and uncover the set. New York: — via archive. No Is Cecile de France a real actress? The Life of Agnes de Mille. Chapel Hill, North Carolina: University of North Carolina Press.

May 14, 1913 — via fultonhistory. Public Media Group of Southern California. Academy of Motion Picture Arts and Sciences. Fade to Black: A Book of Movie Obituaries 3rd ed. Women Film Pioneers Project at Columbia University.

Journal of Religion and Popular Culture. Americana e-Journal of American Studies in Hungary. The Free Public Library of the Borough of Pompton Lakes — Emanuel Einstein Memorial. The Free Public Library of the Borough of Pompton Lakes. The American Academy of Dramatic Arts. American Academy of Dramatic Arts. Academy of Motion Picture Arts and Sciences. Academy of Motion Picture Arts and Sciences. The Christian Broadcasting Network, Inc. DeMille, Classical Is Cecile de France a real actress?, and Modern American Mass Culture.

Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood. New York: Crown Publishers, Inc. Paramount Pictures and the People Who Made Them. New York City: Thomas Dunne Books. Written in Stone: Making Cecil B. DeMille's Epic, The Ten Commandments. New York: Vestal Press, 1990. DeMille: The Art of Hollywood Epic. The Films of Cecil B. Wikiquote has quotations related to.

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